More From MAN OF STEEL Producer Deborah Snyder
In the recent issue of SFX Magazine, Deb Snyder dishes on Lois casting, the costume and what she feels is the heart of the movie. Click the link below for more from Mrs Snyder!
Deborah Snyder talks to SFX Magazine about the Man Of Steel story, costumes and more. "It's the greatest adoption story in all of history" Much more after the jump..
On the heart of the story:
"Someone said to me it’s the greatest adoption story in all of history. I think that’s an interesting way of looking at it – maybe because I was just in the process personally of adopting my two children. The people of Earth adopt him and he adopts us, as well. A lot of the messaging in this film is about family, and who makes you who you are. Clark is on this journey of self discovery, trying to figure out who he is and where he fits in, and in the end he comes to see what Jor-El, his Kryptonian father, has sacrificed and given for him. And he also realises how his Earth parents made him who he is. All those themes and notions follow him throughout the whole film. That’s something that resonated with me, even from when we started reading the script and started talking about doing this film."
On why they cast Amy Adams:
"Amy [Adams] is an amazing actor. With all the casting we tried to get the best actors we could, because it just gives it credibility. In so many ways we didn’t look at it as a genre superhero movie – we looked at it as a great story that we were telling, and we wanted to get the best people. Amy embodied so much of Lois – she’s feisty herself and she’s so versatile, and she was really just perfect for the role."
On the Costume :
"It’s a daunting process, because you want to be true, and we’re very respectful of the canon. But you also have to look at what’s happening on the screen right now with superhero costumes. It has to be relatable to a modern audience. But at the same time you don’t want to say “Who is that? That kinda looks like Superman…” It has to read, at first blush, as Superman. We went through so many iterations of the costume and yes, Zack did try very hard to make the underpants on the outside of the costume work – there are nods to it, with the belt and with some of the side detail on the costume, and that just felt more appropriate to the movie we were making. The other thing that was important for Zack was that the costume not come out of nowhere. It had to have a reason. We were building a world. We go to Krypton and we see this world, and we see that everything has its place. If they’re in space he wanted it to feel like a space suit, and he wanted it to feel like the underlayer that they would maybe put armour over. It’s also a caped society, so when you go to Krypton he wanted to see variations of this costume. And knowing that it was a caped society he wanted that to be evident when we were on Krypton, so when Clark finally finds the costume and puts it on you’ve established where it’s come from."
There's more great quotes over at the SFX website and you can click the link below to check them out!
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