Arguably the top animation voiceover director in the business today,
Romano has been instrumental in orchestrating the vocal tones behind
the character’s non-live appearances for more than two decades. From
Kevin Conroy and Rino Romano to Jeremy Sisto and William Baldwin,
Romano knows precisely what voice will best fit the tones of a
particular story or series.
Enter Batman: Under the Red Hood and all of its deep, emotional
undertones. Romano has outdone herself once again, balancing the
veteran acting chops of Bruce Greenwood as Batman with the youthful,
pained intonations of Jensen Ackles as Red Hood, and tossing in Neil
Patrick Harris as Nightwing for humorous resonance.
All in a days work for Romano, who recruits the best in the business –
winners of Oscars, Emmys and Tonys alike – to provide the voices
behind some of the world’s best known super heroes for the DC Universe
Animated Original Movies.
Romano’s voiceover casting/direction resume spans more than a quarter
century, covering the genre gamut from action (Batman: The Animated
Series) to humor (Animaniacs) and contemporary (The Boondocks) to
timeless (Smurfs). The eight-time Emmy Award winner (along with more
than 30 nominations) is a star in her own right, earning the respect
of her peers and the adoration of legions of animation fans. One need
only witness the reaction to her introduction at a Con to understand
that voiceover work is no longer an anonymous profession.
Batman: Under the Red Hood is the next entry in the popular ongoing
series of DC Universe Animated Original PG-13 Movies from Warner
Premiere, DC Entertainment and Warner Bros. Animation. The full-length
film will be distributed by Warner Home Video on July 27, 2010 as a
Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being
available on single disc DVD, On Demand and for Download.
Romano took a few minutes to offer her perspective on the voices of
Batman: Under the Red Hood. Here’s what she had to say:
QUESTION: Let’s take the cast one member at a time. What made Bruce
Greenwood right for the role of Batman in this particular film?
ANDREA ROMANO: One of the coolest finds of this past year for me was
Bruce. I’ve seen so much of his work over the years, and he can do so
many things so convincingly. I knew I’d have to offer him a big role.
Something with meat. And I knew he would really sink his teeth into
the material and make it his own. I don’t need to tell you what a
wonderful actor he is – but for this film, he gives a terrific,
sensitive performance. This is the most tortured we’ve ever seen of
Batman and, without overplaying it, Bruce really showed us a lot of
the guilt and issues Batman has in his luggage. It’s an exhaustive,
emotional piece, and he carried it perfectly.
QUESTION: How did Jensen Ackles perform in his maiden voyage in animation?
ANDREA ROMANO: When you get a first-timer in the booth, there are
often risks involved, particularly in understanding the techniques
involved in working with the microphone. Jensen picked it up so
quickly and was so effective in this very difficult role. Red Hood is
written as such an embittered, angry, verging-on-insane character, and
it can so easily be overplayed. But Jensen found just the right level
of energy and flair. I loved his acting. His quality was dead-on, and
he really offers a perfect balance with Bruce (Greenwood).
As a director, you live the emotions with the actor. There’s one scene
where Jensen has to let his emotions completely bubble to the surface.
I had to work really hard to see my script through the tears that I
was crying with him as he let his emotions come through.
QUESTION: Who better than Neil Patrick Harris to break up all the
emotional drama of this film?
ANDREA ROMANO: Who doesn’t love Neil Patrick Harris? He’s charming,
talented, friendly, and remembers everyone he works with. He can sing
and dance, not that I need that talent for Red Hood (she laughs). And
in this instance, he did the unthinkable – he came to record for us on
his way to the airport as he was going to New York to host the Tony
Awards. Nightwing really does give a comic balance to this intense
story, and Neil brought that spunky, funny instinct to the character
with his usual effortless performance. He’s completely believable
whether he’s doing drama or comedy, and he really added to this film.
If I could, I would use Neil on every single project I do.
QUESTION: Jason Isaacs is such a nice guy. Why’d you have to make him
play a villain again?
ANDREA ROMANO: Jason Isaacs is a delight. And you’re right (she
laughs) – nice guys sometimes make the best villains. I’ve worked with
Jason several times, and he’s absolutely fantastic. For Ra’s, I needed
something slightly exotic. He’s a great, unusual character, but we had
to fight against him getting too cartoony – and I knew Jason had the
chops. He’s also a wonderfully intelligent actor – during the
recording session, he had so many ideas, and would so respectfully
suggest them to Bruce (Timm) and I – and I honestly don’t know that
there was one we didn’t use. He helped edit the copy, he added beats
where we didn’t even see them, and really nuanced the performance.
QUESTION: The Joker has had some very memorable live-action and
animated performances from some notable performers. How did John
DiMaggio fit into that legacy?
ANDREA ROMANO: If I weren’t in love with my husband, it would be John.
He’s such a versatile, talented voiceover actor. The Joker is such an
intense character, and I knew I needed somebody with great range – and
John was delighted to come in and play, and he gave it some beautiful
new twists. Because he has such a deep gravely voice, and he’s good at
comedy, and he’s a good actor, I knew John already had covered most of
the points of the Joker. But I didn’t want a light, thin reedy voice,
I wanted a voice with some mass to it. That’s John.
QUESTION: You’ve placed Vincent and Alex Martella as the Young and
Younger Robin voices. Had you ever cast brothers in the same film?
ANDREA ROMANO: This is the first time I’ve ever cast brothers in the
same film. I was familiar with Vincent’s work and had been looking for
something for him, and this was a great, interesting opportunity
because I needed to cast the younger version of this character at two
different ages. Vincent has a younger brother named Alex, who has only
just begun in the industry, but because siblings tend to have very
similar qualities to their voices, it was kind of a no-brainer to cast
his younger brother as his younger self. And they were terrific –
Vincent was pure dynamite in his performance, and I actually think
Alex learned from watching his older brother record before him.
What really surprised me was in their attention to detail. They had to
set up this character’s life for another actor that they weren’t even
going to act in the same room with, and I thought the transitions were
seamless.
QUESTION: What set this cast apart from the first seven DC Universe films?
ANDREA ROMANO: Each one of these actors had something to bring to the
party above and beyond what was required of them. They had questions,
they had input, they had ideas and, because the piece is so adult,
complex, intense and dark, they knew they weren’t coming in to play
The Smurfs. In order to make sure they were in the right head space
and had the right tone, they asked a lot of questions. And that’s
always a good sign. When the actors are that involved with their
characters and the story, that challenges Bruce (Timm) and I to truly
think through everything even more thoroughly, and then it becomes a
much more collaborative effort. I’m not above telling an actor how to
read a line. But I’d prefer that the actor comes up with the idea
himself and I’m able to just tweak things here and there. We all need
a challenge, something that keeps us on our toes, and recording this
film was one of those experiences. A very, very positive experience.