And that they didn’t know who came up with it — Abraham Riesman (@abrahamjoseph) September 29, 2017
And that they didn’t know who came up with it
I did some digging and found the first usage: this EW article from July 1 2015 https://t.co/EyAiHfRNQE pic.twitter.com/unxdJk0Sgj — Abraham Riesman (@abrahamjoseph) September 29, 2017
I did some digging and found the first usage: this EW article from July 1 2015 https://t.co/EyAiHfRNQE pic.twitter.com/unxdJk0Sgj
The writer of the article, Keith Staskiewicz, was hard to track down. Not on Twitter. No website. — Abraham Riesman (@abrahamjoseph) September 29, 2017
The writer of the article, Keith Staskiewicz, was hard to track down. Not on Twitter. No website.
Years later, it’s in use everywhere as though it’s official. The lesson: never make a joke, because no one gets jokes — Abraham Riesman (@abrahamjoseph) September 29, 2017
Years later, it’s in use everywhere as though it’s official. The lesson: never make a joke, because no one gets jokes
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“Our intention, certainly, moving forward is using the continuity to help make sure nothing is diverging in a way that doesn’t make sense, but there’s no insistence upon an overall story line or interconnectivity in that universe,” says Nelson, drawing nods from the top brass around her.
One of the centerpieces of this new, decentralized strategy is an as-yet-unnamed side label of occasional movies that are completely separate from everything else, set entirely outside the cinematic universe.