WONDER WOMAN 1984 Clips Show Diana Prince In Action In An American Mall And The White House

WONDER WOMAN 1984 Clips Show Diana Prince In Action In An American Mall And The White House WONDER WOMAN 1984 Clips Show Diana Prince In Action In An American Mall And The White House

Two new Wonder Woman 1984 clips have been released showing Diana Prince in action against some crooks in a mall, while a second sees the Amazon Warrior battling Maxwell Lord in the White House...

By JoshWilding - Dec 16, 2020 02:12 AM EST
Filed Under: Wonder Woman 1984

Wonder Woman 1984 hits UK cinemas today, but it won't be playing in London as the city enters another lockdown! That will hurt the movie's box office chances in the country, and there's still no word on when the DC Comics adaptation will receive a PVOD release of any sort. 

A Chinese release for the Wonder Woman sequel is happening this Friday, and two new clips have now been released to promote Patty Jenkins' return to the DC Extended Universe.

In the first sneak peek, we see Diana Prince interrupting a botched robbery in a classic 1980s American mall. If you've been curious about what critics have been saying about the cheesy, 1980s aesthetic of the sequel, then this should give you a much better idea of what to expect.

The second clip shows the Amazon Warrior confronting Maxwell Lord in the White House. He orders his security to stop her and Steve Trevor, but Wonder Woman appears to be in a weakened state.

Take a look at these Wonder Woman 1984 clips below:
 


Click on the "Next" button below to take a look at
what did and didn't work in Wonder Woman 1984!

Did Work: The New "No Man's Land" Scene(s)

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The "No Man's Land" scene in 2017's Wonder Woman was filmmaking at its best, and it was never going to be easy for Patty Jenkins to recapture that magic in the upcoming sequel. 

Well, she manages to do so not once, but twice here. The first comes when the weakened Diana Prince (her powers are fading following Steve Trevor's return) battles Maxwell Lord's private army in the Middle East. Doing what she can to stop them, that now classic theme from Batman v Superman: Dawn of Justice plays in the background as the Amazon proves why she's a hero.

The second is when Wonder Woman's powers start returning to her, and she runs through Washington DC before taking flight for the first time. It's a breathtaking, must-see sequence. 
 

Didn't Work: Wonder Woman Vs. Cheetah

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Wonder Woman 1984 devotes a lot of time to Dr. Barbara Minerva's transformation into Cheetah, and Kristen Wiig does a phenomenal job playing this character while taking her down a dark path.

While the moment she decides to undergo one final transformation does feel earned thanks to what's come before, the battle between Diana and Cheetah majorly disappoints. The only character here capable of taking the hero on in a fight, it's a shame that this is less of an epic fight scene, and more of a technical piece of filmmaking seemingly paying homage to Cirque du Soleil.

The scene taking place at night doesn't really help matters either. Ultimately, it just doesn't work, and ends up feeling like a waste of the Golden Eagle armour as well (we'll get to that a little later). 
 

Did Work: The 1980s Aesthetic

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The 1980s have been overused to the point of it just feeling tedious in recent years (we can seemingly blame the success of Netflix's Stranger Things for that), so there will no doubt be plenty of you who aren't overly excited about Wonder Woman 1984 taking place in, well, 1984!

Patty Jenkins does something unique with that aesthetic, though, making it more than just a backdrop.

In fact, there are times when this sequel feels like a blockbuster which would have been released during that period, and that's a real credit to the filmmaker. When Wonder Woman first comes on the scene to save some hostages during a jewellery robbery in a mall, it's cheesy good fun, and the visuals are amazing. Rather than jumping to the present, we'd love to see Jenkins tackle the 90s!
 

Did Work: Pedro Pascal's Maxwell Lord

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Every great superhero movie needs a strong villain and, as mentioned, Dr. Barbara Minerva fits the bill (it's only when she undergoes that animalistic transformation the character disappoints).

As for Pedro Pascal's Maxwell Lord...well, The Mandalorian star really can do no wrong. Lord is someone desperate to be a success and make his son proud, especially after a difficult childhood of his own. This take on the villain is far more nuanced than his comic book counterpart, and infinitely more interesting. He's well-written, but Pascal's performance is what makes Lord soar.

So much more than the cheesy bad guy the trailers have teased, Lord makes for a terrific big bad, and the actor really leans into creating a Donald Trump-like businessman from this period of time.
 

Didn't Work: The Sequel's MacGuffin

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So, there are some great baddies in Wonder Woman 1984, but what are they after? Looking to turn his failing business around, Maxwell Lord tracks down an ancient artefact which can grant him any wish he wants. The problem is, getting your wish comes with a catch (in his case, his health). 

For Diana, it's her powers, and for Barbara, her humanity and inherent goodness. That all works pretty well, but ultimately, a wish-granting rock being used as the MacGuffin is...well, kind of lame.

It's all a little too convenient, and as the movie progresses, it becomes harder to understand how it actually works. This is by no means something that "breaks" this sequel, but there were surely better ways to handle Steve Trevor's return and the good doctor's transformation into Cheetah!
 

Did Work: Steve Trevor's Return

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Talking of Steve Trevor, while the means of his resurrection are a tad disappointing, everything else works perfectly. Chris Pine is even better here than he was in 2017, and clearly having a lot of fun portraying a Steve who is quite literally discovering a whole new world seventy years after his death.

His enthusiasm for the way things have changed is infectious, and there are a lot of great laughs to be had from watching Steve get used to his surroundings (and this decade's unique fashion). 

Reminding Diana what makes her such a great hero, the character is crucial to this adventure. When it comes to a highlight, though, the duo flying above Washington D.C. as fireworks go off around them is a stunning scene and one which will leave you really rooting for them both to get a happy ending.
 

Did Work: The Action Scenes

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Director Patty Jenkins is getting ready to start shooting Rogue Squadron for Lucasfilm, and believe us when we say that the filmmaker couldn't be a better choice to tackle a Star Wars movie.

Despite some minor pitfalls here and there, Wonder Woman 1984 never disappoints when it comes to the action scenes. Yes, that Cheetah battle won't work for everyone, but it is exciting, and a solid piece of filmmaking. Aside from that, however, every other battle and action scene is a sight to behold.

The White House fight is one that stands out, but it's probably still Wonder Woman taking flight for the first time and using the Lasso of Truth to ride the lightning which will resonate with many.
 

Didn't Work: The Golden Eagle Armour

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This is more of a did and didn't work, but we can't help but express disappointment with the use of Diana Prince's Golden Eagle armour in Wonder Woman 1984 (even if it is ultimately a minor complaint).

Factoring into the sequel's marketing campaign since day one, it looked a lot like this eye-catching suit would have a huge role to play in the movie. Instead, it gets about as much screentime as Cheetah...which is to say, not much! It's a real shame as the suit looks amazing in action too. 

Was it only included as an excuse to sell more merch and freshen up Diana's look in marketing materials? Quite possibly, but we just wish the Golden Eagle armour could have been a bigger part of the story.
 

Did Work: A Powerful, Emotional Storyline

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When those first Wonder Woman 1984 reactions surfaced, there were people saying the sequel left them in tears. It seemed like hyperbole at its finest, but they might have actually been on to something.

This sequel delivers a powerful, emotional storyline which adds depth to its four leads in a meaningful way. Diana and Steve's romance is very much at the heart of this movie, while Maxwell Lord and Dr. Barbara Minerva are both relatable villains whose motivations aren't that hard to understand.

They're sympathetic, and that makes everything that plays out here land just a little bit harder. Needless to say, if you're a crier during movies, then prepare yourself for the way things wrap up here.
 

Didn't Work: CGI Cheetah

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We alluded to this a little earlier, but Cheetah does not look good in Wonder Woman 1984. At all. 

Warner Bros. has a real issue with CGI characters (Doomsday, Steppenwolf, and Enchantress' brother, for example), and that trend continues with this sequel. Cheetah by no means looks terrible, but it's clear the dark surroundings of this fight were being used to disguise mostly disappointing visual effects.

Looking a little too furry, and a far too human, this Cheetah doesn't exactly do the comic books justice. Her appearance there is a simple one, and it could have worked nicely had this sequel stuck a little closer to that. Instead, she proves to be every bit as underwhelming as the leaked promo art suggested.
 

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Kumkani
Kumkani - 12/16/2020, 2:47 AM
That shopping mall sequence looks straight out of a cartoon and I'm honestly not mad.
dracula
dracula - 12/16/2020, 3:02 AM
@Kumkani - yeah, looks like it should be fun. Sometimes they just need to have fun, dont need to be realistic
GothamSon
GothamSon - 12/16/2020, 2:57 AM
The over-reliance on CGI characters out of laziness is really starting to piss me off.

Did Ebony Maw, Corvus Glaive, Proxima Midnight really need to be CGI? Absolutely not. Hollywood needs to re-appreciate the value in classic Rick Baker Makeup FX artistry. More believable and less distracting than CGI faces.




dracula
dracula - 12/16/2020, 3:01 AM
@GothamSon - well they said cheetah is practicle just with cgi enhancements
GothamSon
GothamSon - 12/16/2020, 3:04 AM
@dracula - Yeah. I should hold judgement til I see the final result. But I grew up watching stuff like Buffy & LOTR which made convincing prosthetics villains without any CGI.

Now, the industry is over-saturated with flimsy, transparent characters from game cut-scenes. I appreciate each of these movies is rushed and expensive, but nothing beats practical effects where possible IMO.
dracula
dracula - 12/16/2020, 3:09 AM
@GothamSon - yeah would proffer more movies use practical effects as well, like hell some movies have used practical and then competely cgi over it in post.

The make up on Buffy looks a lot better than the tv cgi monsters in some shows thats for sure. Yeah was such a disappointment that they ditched the orc make up for the hobbit, there are actually photos of the pale orc with practical costumes and make up and they completely changed the design in post and cgied it
GothamSon
GothamSon - 12/16/2020, 3:13 AM
@dracula - Yeah the Hobbit became a bit of a clusterfu**. Bolg looked silly. I like the Azog design, only done in practical effects like Gothmog it could've worked much better for 'the Pale Orc.'

A recent example where the 'blend' technique works really well is 'Dark Crystal: Age of Resistance.' Practical puppets mixed with subtle CGI enhancement. Beautiful.
SnideCut
SnideCut - 12/16/2020, 4:09 AM
@GothamSon - dude, what? Did you even see Infinity War? Most of the shit those 3 characters had to do cannot be realistically achieved practically.
SnideCut
SnideCut - 12/16/2020, 4:11 AM
@GothamSon - CG is essential. And plenty of great movies have used CG in sequences that you may not even have noticed. The entire bike sequence in John Wick 3 was shot on a greenscreen.
Practical has its place but completely getting rid of CG is not the answer. That's just ignorance.
GothamSon
GothamSon - 12/16/2020, 4:16 AM
@SnideCut - I never said that. Obviously CGI is necessary where all other options are undoable. I'm talking specifically about wholly CGI humanoid characters like Glaive, Maw & Cheetah where makeup prosthetics look better.

I have no issue with supplementary CGI as used by the likes of Fincher and Scorsese movies (for example).
GothamSon
GothamSon - 12/16/2020, 4:18 AM
@SnideCut - Same can be said with Spidey, Cap and WW for some of their sequences- CGI stand-ins for complicated acrobatics.

But closeups of Glaive and Midnights' faces? The CGI looked hideous. Like something from a 00's video game cutscene. Worst facial CGI I've seen in a big budget movie since 'The Hobbit.'
SnideCut
SnideCut - 12/16/2020, 4:49 AM
@GothamSon - The close-up CG definitely did not look hideous. Quite the opposite, in fact. They looked great.
BornToLose
BornToLose - 12/16/2020, 7:52 AM
@GothamSon - could not agree more. I watched An American Werewolf in Paris this past weekend and groaned at the terrible CGI.
bkmeijer2
bkmeijer2 - 12/16/2020, 2:59 AM
Now that I can watch it in HD at release I'm not gonna watch this. Normally I would since I won't be first in line to see it in cinemas, but guess there is a small benefit to releasing movies straight-to-*ahem*-streaming.
Doomsday8888
Doomsday8888 - 12/16/2020, 3:01 AM
lel, i'm just gonna say that i grew up watching Xena sooooo nuff said! :P
dracula
dracula - 12/16/2020, 3:04 AM
@Doomsday8888 - if you are refering to the tiara being like the thing xena throws, technically its from the 70’s tv show
Doomsday8888
Doomsday8888 - 12/16/2020, 3:19 AM
@dracula
I know, and love it!!
But i never watched that series and my mind always goes to Xena, heh! :3
Captainhulk1
Captainhulk1 - 12/16/2020, 4:14 AM
They should wait one or two months, before putting this on HBO Max. Maybe even longer, if it does good at the box office.
LameLuka
LameLuka - 12/16/2020, 4:47 AM
The white house clip looks cool. The other one is to much Donner for me
bman263
bman263 - 12/16/2020, 5:12 AM
This feels very very Commando (1984)
GhostDog
GhostDog - 12/16/2020, 5:59 AM
Mr. Rogers would be proud of that tiara shot
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