INTERVIEW: Costume Illustrator Keith Christensen Discusses Comic Book Movie Outfits

Costume illustrator Keith Christensen has worked on a slew of Hollywood big-budget films, like Man of Steel, The Avengers and Watchmen. Check out our interview with him and come see some exclusive concept art that Keith sent us.

Follow nailbiter111:
By nailbiter111 - 2/23/2014

How would you describe your artistic style?
Keith Christensen: That's tough. By necessity, it varies from job to job, and even piece to piece. Since most of the 2D work I do is as much about problem solving and translation into 3D (both digital and tangible) as it is about imagery, I have to use the most efficient method of satisfying those needs. Very little concept art can simultaneously invoke narrative and atmosphere, AND function as a blueprint for the build. I try not to concern myself with a personal style. It'll show up in some form whether I like it or not, so I try not to force it.

MAN OF STEEL Concept Art



A lot of your Man of Steel designs for the Kryptonian characters incorporated some 16th Century aesthetics and decorative motifs of twentieth century architect, Louis Sullivan. What type of look were the costume designers going for with X-Men: Days of Future Past and Amazing Spider-Man 2?
Keith Christensen: For X-Men, I worked on the post- apocalyptic stuff. Louise Mingenbach, the costume designer, wanted a darker, slightly futuristic, tactical look. I think my stuff was a bit too weird for her, but the stuff that ended up in the film looks pretty great. For Amazing Spider-Man 2, the Spider-Man suit went way more traditional, and the Electro suit (by necessity) is completely different from the comic. Even the purists should agree on that call.

Unused AMAZING SPIDER-MAN 2 & X-MEN: DAYS OF FUTURE PAST Concept Art


Now that costumes can be created realistically with digital effects, how has that influenced your designs?
Keith Christensen: In a way, it's liberating, and in a way it's sad. I love sculpting (in actual clay) and making molds and fabricating and painting. I miss the smell of turpentine and linseed oil. There's a romanticism about the traditional art studio. I think it's safe say that most costume dept. people don't want to give up the tactile interaction with materials either.

Don't get me wrong, digital effects do make amazing things possible, and as a tool for visual storytelling, it's hard to beat for versatility. As an example, I thought the digital armor in Man of Steel was incredibly convincing.

On the flip side though, sometimes it's the removal of limitations that ends up stunting creativity. The "kid in a candy store" usually doesn't make the best choices, or show much restraint. When everything gets turned up to 11, it has a numbing effect.


Comic book fans always want to know why the costumes often differ from the source material. Is that because it won't translate well on film?
Keith Christensen: I think what hardcore fans don't realize is that they're willing to suspend their disbelief to a much higher degree than the average moviegoer. In a comic book movie, visually speaking, everything has to be different from the source material, otherwise we'd be animating. A shot for shot, absolutely faithful live action version of the Super Friends might be very entertaining, but laughable. It's a different media, a different language, with it's own rules and limitations. The changes in costume appearance are the attempt to put the essence of that character within a live action framework. If you read a literal word for word translation from Japanese to English, you might get the gist, but it's not poetry. Just like verbal language, translating from one visual storytelling media to another requires an intimate knowledge of both. Admittedly, respectful fidelity is not always the case. Sometimes the source material is blatantly ignored.

In those cases, I'm just gonna do my job. I've got a family to feed.


How did you get involved in costume illustration?
Keith Christensen: I moved to LA in '97 to work in creature/special make-up effects shops. In recent years digital effects have eaten up the majority of the creature work around town, so many of the shops have turned to specialty costume (superheros, spacesuits, armor, sci-fi, etc.). It ended up being a somewhat natural transition, as the experience I gained in the shops is a valuable asset to costume design and fabrication.

STARK TREK: INTO DARKNESS Concept Art


Do you think of the look of the costume first, and worry about the actor's comfort second? How much thought goes into the material that will be used to bring your designs to life?
Keith Christensen: Every job is different. Every costume designer works in a different way. Sometime the CD will give me very specific parameters, and I'll perform the job of the traditional costume illustrator by rendering their design. Other times, they'll come to me with a very vague description, and I'll get to participate more in the pursuit of a solution.

Actors comfort is always a concern, but the level of concern is dictated by the actor and situation. There is no such thing as a truly comfortable superhero suit. But there is such a thing as acting comfortable. Thank goodness we're all professionals.


Which costume design are you most proud of?
Keith Christensen: To quote Picasso, "the next one". If I have to be proud of something, I'm proud of the fact that my work changes. Connecting with one piece is an experience best left to the viewer. I have favorite pieces from a variety of artists, but focusing too much on my own previous work has a stagnating effect. I do still kind of like that transforming Zod helmet though...


I have to ask, you worked on Wolverine's costume and as I'm sure you know fans have been dying to see Hugh Jackman don the yellow and black costume (which was seen in an alternate ending of The Wolverine). Was there any attempt to adapt that costume?
Keith Christensen: Personally (for reasons stated above) I think the classic Wolverine costume is tough, if not impossible to pull off on film. I've never seen a comic convention Wolverine costume that could be taken seriously in a dramatic film (and some of those costumes are pretty good). Trying to shoehorn that design into real life is like hammering a square peg into a round hole. Changes need to be made to make it plausible.

This is, of course, relative to my own 'suspension of disbelief' criteria. Can't please all the people all the time.



One of my favorite designs in your portfolio is the trench coat that Angelina Jolie wears in Mr. & Mrs. Smith. Any interesting story behind that?
Keith Christensen: When I was working on Star Trek: Into Darkness, costume designer Michael Kaplan asked me to do that illustration. He told me he loved designing Angelina's costume, but never got a nice illustration for his portfolio. I was happy to oblige.



What's next on the horizon for you?
Keith Christensen: Just started on Josh Trank's Fantastic Four. I'd tell you about it, but then I'd have to kill you.

Unused THOR: THE DARK WORLD Concept Art
DISCLAIMER: This article was submitted by a volunteer contributor who has agreed to our code of conduct. ComicBookMovie.com is protected from liability under the Digital Millenium Copyright Act (DMCA) and "safe harbor" provisions. CBM will disable users who knowingly commit plagiarism, piracy, trademark or copyright infringement. Please contact us for expeditious removal of copyrighted/trademarked content. You may also learn more about our copyright and trademark policies HERE.
6
LIKE!
73 Comments
1 2
THEDARKKNIGHT1939 - 2/23/2014, 4:20 PM
He designed the costume for Hulk? So ripped jeans lol. Anyway didn't know he worked on all these films
KidGoku - 2/23/2014, 4:22 PM
Spot on about Wolverine
KidGoku - 2/23/2014, 4:23 PM
I didn't know he worked on all of these either.
MrCBM56 - 2/23/2014, 4:23 PM
Keith Christensen: "Just started on Josh Trank's Fantastic Four. I'd tell you about it, but then I'd have to kill you."

Awesome! Bring it!
GliderMan - 2/23/2014, 4:23 PM
MrCBM56 - 2/23/2014, 4:25 PM
"I think what hardcore fans don't realize is that they're willing to suspend their disbelief to a much higher degree than the average moviegoer. In a comic book movie, visually speaking, everything has to be different from the source material, otherwise we'd be animating. A shot for shot, absolutely faithful live action version of the Super Friends might be very entertaining, but laughable."

True.
KidGoku - 2/23/2014, 4:25 PM
I personally think his designs for Man of Steel and Thor:TDW are his best
Jollem - 2/23/2014, 4:26 PM
faora's knife looks cool. now, on to the interview
GuardianAngel - 2/23/2014, 4:28 PM
Nice. His works are some of my favorites in CBMs. Can't wait to see the Fantastic Four costumes.
KidGoku - 2/23/2014, 4:29 PM
Would love to see some Dragon Ball Z designs by this guy
MrCBM56 - 2/23/2014, 4:29 PM
I hope they go with The Future Foundations suit.
LordHuck - 2/23/2014, 4:34 PM
Nice to see a guy who gets it, and knows you can't put starfish Electro on the big screen.
MrCBM56 - 2/23/2014, 4:36 PM
This is a great interview. Great Job, Nail!
Starfox - 2/23/2014, 4:37 PM
Always Make sure those suits can withstand road rash!... it kinda hurts



MrCBM56 - 2/23/2014, 4:37 PM
MrBlackJack

Agreed. Those are horrendous.
ReadSkull - 2/23/2014, 4:43 PM
I skimmed this article but the concept art posted is stellar. One of my favorite aspects of this site is the often unused concept art.
MantiniuMan - 2/23/2014, 4:45 PM
The connective tissue between all comic book universes,lol.
MrCBM56 - 2/23/2014, 4:46 PM
That concept art of Volstagg look like Bombur.
MrCBM56 - 2/23/2014, 4:47 PM
NOT Bombur, *Gloin.
Cosmic1 - 2/23/2014, 4:56 PM
But green and yellow could have worked for electro it worked for Loki and wolverine can be pulled off mmm Spider-Man has his comic costum. This article defeats itself it's a contradiction within itself.
KidGoku - 2/23/2014, 5:01 PM
@Cosmic1

Loki's outfit really compliments itself however, it's mostly black with green parts of it and then some gold plates similar to Lord of the Rings type of armory which is why Loki's works. Electro not only would the colors look [frick]ing ridiculous but the whole mask plus the outfit is just laughable, even in the comic books. As soon as Electro was announced I knew that they would use the Ultimate look. And use some punctuation man.
cipher - 2/23/2014, 5:11 PM
nails- Nice work, mate.

I love this kinda stuff.
DaVinci31 - 2/23/2014, 5:11 PM
Jeez, this guy has his finger on everything.
nailbiter111 - 2/23/2014, 5:25 PM
Thanks for all the compliments and I'm glad you like Keith's work as much as I do.
MightyZeus - 2/23/2014, 5:44 PM
Great work Nail.
No idea this guy was working on the costume design on pretty much every comic book movie. Since he's working on the Fantastic Four i hope he adapts and uses the design of the Future Foundation suits.
The attire can either make or break your movie.
theowl - 2/23/2014, 5:46 PM
Every single person should read this before complaining about how they didn't do it like in the comics.

"I think what hardcore fans don't realize is that they're willing to suspend their disbelief to a much higher degree than the average moviegoer. In a comic book movie, visually speaking, everything has to be different from the source material, otherwise we'd be animating. A shot for shot, absolutely faithful live action version of the Super Friends might be very entertaining, but laughable."

So many fans are getting pissed about this.. Because they are expecting a story that they have already planned out in their head. " a better story".

But it never is.
ALmazing - 2/23/2014, 5:47 PM
Sweet concepts but what's with Hogun's bad hair day?

@thebluejaguar, Oh man, I've been meaning to watch that movie for years, what is the tittle?
Reni - 2/23/2014, 5:48 PM
Great article. Yeah, Man of Steel had really good costume design, i'd say the best in cbms so far. Couldn't be on better hands than this guy's and Michael Wilkinson who actually is nominated for an Oscar right now for American Hustle. You should intervew him aswell.
KingPatel - 2/23/2014, 5:52 PM
Great interview man
actionmoviefanatix - 2/23/2014, 5:53 PM
I'm curious why people think that Wolverine's costume is so hard to pull off. Why does a professional costume designer find it so hard to adapt (few are calling for a straight replica) for film. Batman wears a f'ing cowl with pointy ears and a cape and no one questions it. Spider-Man zips around the city in a bright red and blue textured jumpsuit and it's perfectly natural.

If the huge Wolvie "ears" are too much for you then maybe don't make them so big. If the mask is too much then maybe remove the mask and just give him a suit that looks something like the comics. If the colors are too bright then mute them a bit. Why is Wolverine's suit so incredibly hard to accomplish that costume designers and directors simply give up and throw him in black leather. It isn't 1999 anymore. We can quit dressing characters like they are stepping into the Matrix.

Ranting aside, this was a fun interview from a perspective we rarely get a chance to hear. And the guy has serious talent and creativity. I also don't blame costume designers for every movie that seems to abandon the source material. As he said, they are often working within the constraints of someone else's ideas.
Reni - 2/23/2014, 6:00 PM
I think the problem with the Wolverine costume is the mask. That needs the white eyes which is something impossible. Maybe without it and with the colors a bit darker it could work.
KidGoku - 2/23/2014, 6:06 PM
I feel personally that Wolverine couldn't really be taken seriously in the first 2 X-Films with the mask BUT he should wear it in the sequel of The Wolverine rather than another X-Men film.
ALmazing - 2/23/2014, 6:06 PM
@0megaDaGod -

Unused I know, but maybe soon.
Deathlok - 2/23/2014, 6:13 PM
@actionmoviefanatix

I agree 100%. People who automatically dismiss Wolverine's costume as being untranslatable to film aren't trying hard enough. Characters like Superman and Spider-Man aren't even questioned when it comes to their costume. I will admit that the X-Men uniforms are some of the most bizarre ones in all of comics, but there are any number of ways they can be done. Many of which you just mentioned. Thanks for ranting for me so I can actually agree with someone on this site for once.
MercwithMouth - 2/23/2014, 6:24 PM
@spideyboy

I would love to see this guy design some DBZ stuff! I would love to see a new DBZ movie! If you're a fan, check out my fan cast...

http://www.comicbookmovie.com/fansites/MovieswithMerc/news/?a=94589
ALmazing - 2/23/2014, 6:38 PM
@0megaDaGod- You are right, nothing but winks so far.



PeterDarker121 - 2/23/2014, 6:42 PM
Mariko gives Logan the classic costume in the deleted ending (which he responds to with a wry smile), so at least we know Mangold was THINKING about it. I'm sure we'll see it at SOME point.

@nailbiter Great article. I've been liking this guy's work all along but didn't have a clue who he was and that he had worked on this many (and different)CBMs. I especially love his work on 'Watchmen!'
StSharp - 2/23/2014, 7:07 PM
Wolverines mask could work. All they have to do is short the length of the black horn type things, that's it...Hugh Jackman has the calibur to pull it off
mgeoff88 - 2/23/2014, 7:18 PM
This guy is an amazing artist.

I think Wolverine's costume can work on the big screen. It just has to be adapted in a way people can take it seriously. It's not impossible.

@nailbiter Great job! That was a very good interview.
MarkV - 2/23/2014, 7:32 PM
Captain America = your argument is invalid
1 2

Please log in to post comments.

Don't have an account?
Please Register.