Christopher Nolan Talks In Detail About THE DARK KNIGHT RISES' Eight Year Gap, Bane And More

Talking to Geoff Boucher over at Hero Compex, director Christopher Nolan has taken part in one of his most revealing interviews yet in regards to The Dark Knight Rises. Below are just some of the most interesting highlights, including the reason behind the eight year gap between the events of The Dark Knight and the upcoming third instalment of the critically acclaimed franchise. Read on for more and be sure to sound off with your thoughts in the usual place.

"It’s terrific, to have people that interested in something. It reminds you that it is a real honor to work on something that means so much to people. I’d love to be able to claim that I invented the whole thing and that’s why they’re interested. I did not. I’ve been given a very precious thing to do my best with, to look after and not to let people down. There’s a certain amount of fear that comes with it and intimidation but it’s also a great privilege. [As for the fans], they want it to be great, they want to go enjoy it and they’re fascinated by it. You know, there’s always controversy regarding things that people will disagree with but hopefully they appreciate the effort of trying to make something good."

"We had a lot of fun on it. It was a tricky sequence to shoot but a lot of very talented people worked very hard on it. And I’m thrilled with the result. We shot it in Scotland. We braved the weather — it rains all the time there, a terrible place to do an aerial sequence, which is why no one has sort of done it before. You usually wind up in the desert or something for very practical reasons. But it really came off. We got very lucky with the weather and a lot of good planning went into it. I think it had a very unique look."

"With Bane, the physicality is the thing. With a good villain you need an archetype, you know, you need the extreme of some type of villainy. The Joker is obviously a particular archetype of diabolical, chaotic anarchy and has a devilish sense of humor. Bane, to me, is something we haven’t dealt with in the films. We wanted to do something very different in this film. He’s a primarily physical villain, he’s a classic movie monster in a way — but with a terrific brain. I think he’s a fascinating character. I think people are going to get a kick out of what we’ve done with him."

"It will make a lot more sense to people when they see the film. But it’s not a great mystery — it’s the jumping-off point for the film — but it’s hard for me to articulate it. I think the mood at the beginning of the film will make a lot of sense. If I had to express it thematically, I think what we’re saying is that for Batman and Commissioner Gordon, there’s a big sacrifice, a big compromise, at the end of the ‘The Dark Knight’ and for that to mean something, that sacrifice has to work and Gotham has to get better in a sense. They have to achieve something for the ending of that film — and the feeling at the end of that film — to have validity. Their sacrifice has to have meaning and it takes time to establish that and to show that, and that’s the primary reason we did that. It’s a time period that is not so far ahead that we would have to do crazy makeup or anything — which I think would be distracting — but it gave them something to get their teeth into, particularly Christian in terms of [portraying] this guy who has been frozen in this moment in time with nowhere to go. He really has done an incredible job figuring out how to characterize that and express that."

"I tend not to be too emotional on the set, I find that doesn’t help me do my job. But you definitely get a little lump in your throat thinking that, ‘OK, this is going to be the last time we’re going to be doing this.’ It’s been quite a journey. Hopefully, reflecting that journey — by all of us who made the films — in the three film."